Thursday, November 7, 2013

Beautiful pillow finishing

Among the items I received from my pillow finisher today were these two shop models. 






This has a double ruffle with just a hint of the back red ruffle winking outside the plaid taffeta ruffle.  I especially like the cording on the insider of the ruffles beside the needlepoint.




I wish that I could say that I found the fabric and then matched the background silk 'n ivory to it, but that isn't so.  I just blithely picked the background color and then stumbled across the fabric.  Better lucky than smart, I always say!

Wednesday, November 6, 2013

Some new ornament canvases

I needed to order several canvases from Shelly Tribbey for a customer, so I added some canvases for the shop inventory to spread the shipping cost over more canvases.  Postage or shipping costs have become quite a factor when ordering canvases.  I've started specifying that orders not be split-shipped because of the increased cost in shipping.  It used to be that when designers split-shipped, they absorbed the cost of the 2nd shipment's shipping.  Only a few designers do that today. 







This shirt comes with a hanger and is to be made like a real shirt.



This dress reminiscent of Provence also comes with a hanger.  What a great souvenir of France.





Shelly has 3 tree ornaments in this series that are red and white.
Such great possibilities for pattern stitches.

Tuesday, November 5, 2013

The financial reality of market going

Most needlepoint shops are really small businesses.  By that I mean, REALLY small businesses.  If you pay attention to these things, most studies consider something under 10 million dollars in revenue to be a small business.  EXCUSE ME--we're talking needlepoint shops.  So, we're really small potatoes. Understand that since our industry is small potatoes  we can't dictate which convention centers we want or which hotels we want, because let's face it, we're an industry primarily of women who aren't big drinkers (at least in public) or big spenders on food, so who in the travel/housing industry really wants us as customers?

A case in point--at the recent cash-and-carry at St Charles, the hotel ran out of romaine lettuce on Saturday evening.  They ran out of the Boston bibb as well at Sunday lunch.  Things were becoming desperate on the salad menu by Sunday night.  It doesn't take a rocket scientist to figure out that if you have a hotel full of women (rather than men, duh!), you are going to sell more salads than usual.  No one in the kitchen figured that out.  I'm not upset about it because as a result, I received my Sunday night room service dinner free because they didn't have most of the ingredients.  It was still tasty and made tastier by the cost.  But how stupid from a marketing point of view.

I loved the St Charles show, primarily because I have been a Hilton Honors member for what seems like centuries.  I had enough points to pay for 2 of my nights in the hotel and the reservation clerk was nice enough to make the night I paid for the cheapest of the 3 of the market.  Then, courtesy of Capital One points, I paid for my plane ticket.  So my actual cost was one night in a hotel, meals for 3 days, transport to and from the hotel, and shuttles to and from the airport to my home.  Just a little less than $500 and that's being a skinflint on a budget. But to pay that $500 I have to sell at least $1500 worth of merchandise--$500 to pay for the market expenses, $500 to pay for the merchandise sold and $500 to pay toward replacement merchandise.

That August market was a cash-and-carry which TNNA has said they are going to discontinue in 2015.  The major markets are usually twice a year (January and June) in major convention centers.  That will also change in 2015 when TNNA plans to add a cash-and-carry element to the convention center shows.  Interesting. Can't wait to see how that shakes out.

I've been looking at going to the January San Diego show.  I love San Diego.  There are so many great restaurants on 5th avenue.  There are at least five used book stores about 20 blocks from the convention center where I always have a wonderful time (as a former librarian, I love bookstores).  Not to mention the zoo and the museums in Balboa Park.  Also, the people at the convention center are really good at dealing with convention-goers (they make restaurant reservations, they give directions to wherever, they are there when you need them).  BUT, the hotels are a minimum of $190. a night (no points!), the plane ticket will still be free thanks to Capital One, and I have to pay for my meals.  The market is 3 days plus at least 1 day for classes if you take one, so you fly in one day, 3 days for market and fly out the 5th day (or take the red-eye and arrive home really wasted) for a total of at least 4 or more nights for a cost of $760 plus food plus cabs to and from hotel and restaurants plus shuttle to and from home.  So we're talking at least $1400.

That means I have to sell at least $4200 worth of merchandise to pay for my market.  That's $1400 for the canvases, $1400 for the market stay and $1400 for new merchandise.  Now let me think about whether I need to go to that market when I could check on lots of things on line.  Yes, I like to do a meet and greet and catch up on the latest with everyone--but can Needle Nicely afford it?  Hmmm.  Tune in to find out what I decide.




Monday, November 4, 2013

Laughs provided by Rondo

Nothing helps the time pass while you looking at photographs of needlepoint designs than to have someone provide a running, amusing commentary on life.  That's what Rondo, one of the needlepoint reps for the Southeastern US, does when he comes to visit every year about this time.  The conversation ranges from how mutual acquaintances are doing, what cruises Rondo and his wife have taken, why the plumber was at my house today, and so on.  Sometimes we reminisce over happenings from the past years (we've known each other since 1982). 

It's always interesting to see what the needlepoint artists have designed in the last year.  First I look at their newest designs.  Then I go through the stacks of photographs of their prior designs.  Sometimes it's nice to be reminded of a perennial favorite canvas and sometimes an old canvas seems to be just the right thing for a certain customer.  There are some designs that you wonder why anyone would want them; just as there are many designs that you order again and again. 

Ron also keeps me abreast of the latest developments in the world of technology.  He was the first person I knew who bought a hybrid car--I had to take a ride to see how wonderful it was.  He was the first person I knew who owned a GPS for his car.  Again, I had to go for a ride so he could take a wrong turn and I could hear the device recalculating our path.  And then he got an i-phone.  Of course, he also got the app that shows beer pouring into a glass.  He has so much infectious enthusiasm for his gadgets that it makes the day spent ordering canvases go faster and more pleasantly.  And in the process I seem to really enjoy spending so much money! 

Sunday, November 3, 2013

stitching ennui--it happens to the best of us

Several weekends ago I found myself in front of the television with my stitching at hand--and I picked it up, looked at it, and put it down again.  Ho, hum.  I was really regretful, thinking of several small projects that I had left at the shop.  They seemed much more attractive than what I had at hand.  Perhaps distance does make the heart fonder.

I tried to find other chores to occupy me without beating myself up.  Boredom with a project does happen.  I have learned (though obviously I forgot it last month) to have several alternative projects handy to work on.
Most stitchers have a variety of projects tucked away, just waiting to be stitched.  When you encounter mental resistance to stitching your current project, don't just sit there like a latke--pick something else from your stash that appeals to you at this moment.

I try to tell customers to have at least two projects  going at the same time.  Those who don't know me think this is just a sales ploy.  It isn't.  You have a back-up when you become tired of your main project.  It isn't judgmental, but practical.  Move on if it doesn't appeal to you tonight.  It isn't a divorce.  The world isn't watching.  Just drop the old, boring, and move on to the one that appeals to you.  You will come back eventually, but not today.   Maybe tomorrow.  Quien sabe? 

Saturday, November 2, 2013

Alphabets, alphabets

I'm sure I have mentioned over the past few years that Needle Nicely has a design studio.  It was started when Trubey owned  Needle Nicely and I have been fortunate to be able to continue it with both Trubey and another very talented graphic artist, Helen.  Many of the designs that I blog stitch are products of the NN design studio.  The designs are exclusive to Needle Nicely, such as the pelicans that I am currently, slowly, stitching.

One of Helen's strengths is her calligraphy.  With her assistance I have a set of possible alphabets for customers to use to select what lettering they want for the names on Christmas stockings or the style for monograms.  She has done one set for me on 13 mesh and one set on 18 mesh.  Having these really eases the communication about any lettering questions. 

 Here are the finished ministockings that I stitched last month for a customer.  This is a Kathy Schenkel design (they are usually in a set with the other stocking saying "First Christmas").

Friday, November 1, 2013

Pelicans everywhere, vi

I'm using the diagonal mosaic for the bills and top knots.  If you click on the photograph, you can see that I have started doing the chain stitch for detail on both the bills and the top knots.  The heads are being stitched in basketweave. 

Today is the beginning of the November Nablopomo 2013.  I did daily blog entries in November 2012, but for some reason this year the task seems more daunting.  Time will tell if my creative juices can keep flowing for 30 days!